The Grand Budapest Hotel
Wes Anderson • 2014
A pastel symphony of pinks, lavenders and creams—color used with architectural precision and emotional irony.
Color Palette
vibrant#F3B8D6
muted#D7C0E6
accent#A1D0C7
light#FFF8F5
dark#43324A
Wes Anderson composes scenes like dioramas, with pastel palettes and meticulous color coding. The film's hues create a nostalgic, artificial world where emotion is regulated by chromatic order.